Author Archives: Clarke Morledge

About Clarke Morledge

Unknown's avatar
Clarke Morledge -- Computer Network Engineer, College of William and Mary... I hiked the Mount of the Holy Cross, one of the famous Colorado Fourteeners, with some friends in July, 2012. My buddy, Mike Scott, snapped this photo of me on the summit.

Tim Keller on Interpreting Genesis

New York City pastor, Tim Keller, offers a different approach than the one I put forward on how Genesis 1 relates to Genesis 2. Keller argues that Genesis 2 is actually historical narrative and that Genesis 1 fits more into a poetic genre, as opposed to a straight-forward historical narrative.

Keller may be right. The point I want to make is that different believers can look at some of the non-essential interpretation matters in Genesis differently, and they can still agree on the big picture, namely the essential doctrines concerning the knowledge of the God of Abraham, Isaac, and Jacob as the Creator, as well as who is humanity in relation to that Creator.

I call these the great “who” questions of faith: Who is God? Who is the Creator? Who is Man? These “who” questions are in contrast with the “how” questions: How did God create? How long did it take God to create? How does Genesis 1 relate to Genesis 2? The “how” questions are still important, but they pale in comparison to the great “who” questions that the Bible seeks to address.

The following short video by Keller demonstrates some of the challenges in determining the appropriate context and genre of this very ancient passage of the Bible in early Genesis. Keller and I both affirm that no one takes all of the Bible completely literally, and he gives his brief analysis as to what type of interpretive “grid” should be used when reading the Bible. We can still debate the smaller questions, but let us keep in the front of our minds the big picture.

I would highly recommend Tim Keller’s book Reason for God as a great book to give to a non-believer or believer who is struggling with these issues. Here is a quote from the book, around pages 93-94, that explains more in detail Keller’s approach to interpreting Genesis, and interpreting the Bible in general:

“Christians who accept the Bible’s authority agree that the primary goal of Biblical interpretation is to discover the Biblical author’s original meaning as he sought to be understood by his audience. It has always meant interpreting a text according to its literary genre. For example, when Christians read the Psalms they read it as poetry. When they read Luke, which claimes to be an an eyewitness account (see Luke 1;1-4), they take it as history. Any reader can see that the historical narrative should be read as history and the the poetic imagery is to be read as metaphorical.

The difficulty comes in the few places in the Bible where the genre is not easily identifiable, and we aren’t completely sure how the author expects to be read. Genesis 1 is a passage whose interpretation is up for debate among Christians, even those with a “high” view of inspired Scripture. I personally take the view that Genesis 1 and 2 relate to each other the way Judges 4 and 5 and Exodus 14 and 15 do. In each couplet one chapter describes a historical event and the other is a song or poem about the theological meaning of the event. When reading Judges 4 it is obvious that it is a sober recounting of what happened in the battle, but when we read Judges 5,  Deborah’s Song about the battle, the language is poetic and metaphorical. … I think Genesis 1 has the earmarks of poetry and is therefore a “song” about the wonder and meaning of God’s creation. Genesis 2 is an account of how it happened including Genesis 1. But it is false logic to argue that if one part of Scripture can’t be taken literally then none of it can be. That isn’t true of any human communication.

What can we conclude? Since Christian believers occupy different positions on both the meaning of Genesis 1 and on the nature of evolution, those who are considering Christianity as a whole should not allow themselves to be distracted by this intramural debate. The skeptical inquirer does not need to accept any one these positions in order to embrace the Christian faith. Rather, he or she should concentrate on and weigh the central claims of Christianity. Only after drawing conclusions about the person of Christ, the resurrection, and the central tenets of the Christian message should one think through the various options with regard to creation and evolution.

That last part shows some real wisdom that followers of Jesus should keep in mind at all times. Contrary to some well-intended yet misguided approaches, I do not need to debate the age of the earth or even the scientific theory of evolution with a non-believer. Instead, I should focus first on the central claims of the Gospel: Jesus Christ and Him crucified and risen from the dead.


Beyond the Mask

Interested in swashbuckling adventure that is suitable for a family audience that is friendly to a Christian worldview? Frankly, it is difficult to find much coming out of Hollywood that fits that description. I am no movie critic, but I am encouraged when I see creative efforts to break out of the Hollywood mainstream in independent film making that try to tell a good story that touches on the themes of the Gospel. The more people support these type of films, the more chances you will see better films made in the future.

Beyond the Mask is a new movie that is part-action adventure, part-history lesson, part-patriotic plug, and part-Gospel centered. Set during the era at the beginning of the American Revolution, a resourceful young man who finds himself enmeshed in the dark underworld of corrupt, crony capitalism is seeking redemption to restore the goodness of his name, but who ends up discovering romance, the spirit of American liberty, and a relationship with Jesus Christ in the process. You can think of it as Tom Cruise with special effects and lots of fights between the good guys and the bad guys.

Sure, a film from an alternative studio like this will not have the latest, super-expensive Star Wars effects, but I was actually surprised and pleased at how good they were. Critics complain that such films are nothing more than evangelical propaganda, but these days, it really is almost impossible to find any film that is not propagandistic in some form or another. The question is: what message are these movies promoting?

True, some might find the swashbuckling a bit too much for very young audiences, and the storyline does comes off as a bit predictable and fantastic in places (a Guy Fawkes plot using an invention by Benjamin Franklin with anachronistic bombing technology??). But hey, the film is great fun, and you do not have to worry about some anti-Christian agenda undermining what you are trying to teach your kids. Much like last year’s historical fiction Alone Yet Not Alone, Beyond the Mask is a fun story that will also hopefully inspire a young generation to gain a better appreciation for history. Forget Left Behind and go for this film instead. My wife and I went to the see the film last week as part of a Williamsburg, Virginia homeschooling community effort to bring in Christian film to local movie theatres, and we had a great time.

Produced by Burns Family Studios, essentially an outfit run by evangelical homeschoolers, Beyond the Mask was written by Paul McCusker, a creative writer behind Focus on the Family’s Adventures in Odyssey (see this review). This Patheos film blog review by Kenneth Moreland I found helpful and this interview with the Burns family.

Showing in the Williamsburg area (Newport News) at the Kiln Creek Cinema 20 for one week beginning June 5.


Does Genesis 1 and 2 Contradict One Another?

The Naming of the Animals, by John Miles of Northleach 1781-1849 (media credit: sothebys.com)

The Naming of the Animals, by John Miles of Northleach 1781-1849 (media credit: sothebys.com)

One of the most common objections to Christianity is the claim that there are contradictions in the Bible when it is interpreted literally. In many cases, these supposed “contradictions” are not contradictions at all. Differences in details can be harmonized in an acceptable way. However, there are examples where harmonization is not necessary. Such harmonization becomes irrelevant once we have a better appreciation for the intent of the author. We may be too hasty in our judgments about “contradictions” because we fail to understand what the Biblical author is trying to do. Here is a case in point.

In Genesis 1 , one finds the classic expression of God creating the world in six days. There one finds a progression of creative acts, such as the creation of vegetation, starting in verse 11, and then of animals, starting in verse 20, culminating with the creation of humans as the last step,  in verse 26.

In Genesis 2, beginning at verse 4, one reads what appears to be a new narrative. It is as though the story of creation is being retold in a different way, focusing on the creation of humanity, with the purpose that humans were created for work, as with the tending of the garden, and the need for humans to have companionship with other humans, most notably described by the institution of marriage. It was not good for Adam to be alone, so God created Eve (verse 18-25).

The problem for many people is that Adam first shows up in Genesis 2 in verse 7, with a garden planted in verse 8, and then animals are fashioned from the ground to bring before Adam as potential companions in verse 19. One thing that jumps out is this question: if in Genesis 1, animals were created before humans, and in Genesis 2, animals came after Adam was created, is this not a contradiction? If this is the case, how can you trust the Bible if it has contradictions like this?

There are many who believe that the early chapters of Genesis in their entirety are intended to give us a play-by-play, chronological account of God’s creative activity from the perspective of a human eyewitness observer writing down these events as they happened. Imagine, if you will, that the writer of Genesis is acting like a modern journalist with a video camera in hand, making written observations as they occur, from a vantage point where they can see all that is going on. This is driven by a principle some call “the literal interpretation of Scripture.”  Nevertheless, this “literal” view raises the prospect of a contradiction, between the order of God’s creative activities, between chapters one and two of Genesis. Can such a difficulty be resolved?

While it might be possible to harmonize the narrative details of Genesis 1 and 2 chronologically, I can not help but wonder if there is a better way to look at this. Is this really a type of “contradiction” that needs to be resolved, or is it simply a difference intended by the author for a different purpose?

Continue reading


“Inconceivable” Fallacies in Biblical Interpretation


You may have heard sermons that distinguish between the three types of love: eros, for physical, sensual love; phileo, for friendly or brotherly love; and agape, for divine, unconditional love. As a young Christian, I learned the idea that agape is really special and better than the other kinds of love. To think otherwise would have been “inconceivable.”

A classic case in sermons where this sometimes becomes a big deal is in John 21:15-17. Jesus asks Peter three times if Peter loves him. The first two times, Jesus asks Peter if he loves Jesus with agape love, but both times, Peter answers that he loves with phileo love. As the sermon unfolds, you hear that Peter is being a bit of a smuck by only responding with phileo love towards Jesus instead of the spiritually superior agape. So the third time, Jesus lowers the bar and simply asks if Peter will love Him with phileo love, whereby Peter still responds with phileo love. A variety of applications are usually given here, one being that in his divine agape love, Jesus graciously condescends towards us by acknowledging our inability to love God back unconditionally, or some other such idea.

Well, I am embarrassed to say it, but I must confess it. I have used this teaching myself with other people without thinking much about it. However, the problem is that the illustration here is well-meaning but most probably unwarranted. It is a common example where sometimes fallacies in Biblical interpretation, such as “word studies,” can lead people astray.

Continue reading


The Power of Context

Why is understanding the context so important when it comes to interpreting the Bible? Because it is very easy to think the Bible is saying something that is completely alien to what the original author had in mind. Here is a short but sweet video (less than 4 minutes) by Alan Shlemon at Stand to Reason ministries that helps to explain context.

Here are the Bible verses that Alan is talking about from John 14:  John 14:16 and John 14:26. For more detail regarding why Muslims see Muhammad as being predicted by the Bible, look here. Interpreting the Bible is all about understanding the basic concepts of hermeneutics, which is a fancy word that simply refers to the study of the interpretation of texts.

If you are not sure what the big deal is regarding context, see this earlier Veracity post on Taking the Bible “Literally.”

HT: Josh Shoemaker at DiscovertheBible.wordpress.com.