Leslie and Lee Strobel, 1972, back when they dismissed the Resurrection as a fraudulent delusion.
“He is Risen!” Historical event or fraudulent delusion?
If you are the type of person who has had questions about the veracity of the Christian faith, then go see this movie. Better yet, take an open skeptic with you.
The Case for Christ is based on the true story of an atheistic journalist, whose life is turned upside down when his wife becomes a follower of Jesus. Lee Strobel, an accomplished reporter for the Chicago Tribune, a “just the facts, ma’am,” type of guy, is desperately afraid of losing his marriage and family, so he begins a long journey to try to disprove Christianity in order to “save” his wife from the error of her ways.
The Case for Christ is a major, major step up from movies like God’s Not Dead, that ambitiously relies on the composite characterizing of atheists, unnecessarily fueling the fires of culture war rhetoric. Furthermore, unlike other recent film offerings, The Case for Christ does not get distracted by the logic of false dichotomies either. Instead, The Case for Christ, focuses on two themes: (1) making the case for the Resurrection of Jesus, based on the minimal facts argument, built on the consensus of evidence found in secular, historical scholarship, and (2) exploring how human prejudices interplay with the tension between faith and reason.
The Case for Christ is not for everyone, and I can think of two, very different types of people who fit within this category. First, if you are a skeptic, and you are completely opposed to considering the evidence for the Resurrection, The Case for Christ will absolutely frustrate you. But you probably will not like any other Christian-themed movies either.
Secondly, The Case for Christ will underwhelm the Christian who feels like they already have all of the answers, and who never wrestles with doubts. The film simply leaves open the question of why the different Gospel accounts are not 100% agreed upon the discrete events surrounding the Crucifixion and Resurrection of Jesus. Many a Christian evidentialist would reason that the existence of discrepancies between the Gospels enhances their historical credibility, instead of taking away from it, an argument that makes good sense to historians, but that will unsettle the most strict, biblical inerrantist. The evidence from textual criticism, that upholds the reliability of first century New Testament documents, will annoy the Christian who merely believes that the English Bible in their hand simply dropped straight down right out of heaven. But for believers and non-believers who are willing to ask penetrating questions, The Case for Christ is right for them.
The Case for Christ is not perfect, by any means. For example, as this Forbes magazine reviewer observes, the discussion about the Shroud of Turin was not very convincing. Plus, there is only so much you can do in a two-hour movie, as this review at The Gospel Coalition points out (check out these “The Case for Easter” resources). Because of the limitations of the medium, the events surrounding Lee Strobel’s journey towards faith and overcoming skepticism have been tightly compressed in the film, and this might confuse some. Strobel’s interviews with experts happened after his conversion to Christian faith, and not before, as depicted in the movie.
But overall, The Case for Christ does a very good job with making an apologetic argument for the Christian faith, based on evidences, within the context of a believable narrative, without getting too bogged down with the details. Get the book that the movie is based on, if you want to go to that level. If I had to recommend one movie that you can take a non-believing friend to see, without embarrassment, The Case for Christ would be it.